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Pop singer plays a dirty Disney princess in online parody.
By Jocelyn Vena
Ever wonder what it would be like if Disney gave Ke$ha her very own movie? Well wonder no more, since the folks over at Funny or Die have dreamed up a new Ke$ha-starring satire, “Disney’s Princess Ke$ha.”
The clip opens with Ke$ha in a castle bedroom addressing her animated pals, complaining about her alarm clock waking her up. “Oh that clock. What a killjoy,” she says as she stares out of her window in the castle tower. Just as she begins singing a very Disney melody, she proclaims it “gross” and says “f— it,” before kicking off a signature Ke$ha-style tune, complete with her rap-sing style and club-ready beat.
“Time to get the day going/ Dress it up to the nines/ Yo, critter crew/ Make Princess Ke$ha look fine,” she sings. “Add a little pinch of magic from my fairy-tale life and off we go.” Then she goes into the chorus: “I’m getting ready so nice / I’m getting customized.”
The pop star is later catapulted into the real world. In an alley, she meets up with an animated rat, a pumpkin and a cross-dressing hobo fairy godmother. The rat and pumpkin are transformed into a shopping cart and a man who take off with Ke$ha.
This is the singer’s second appearance on the site. Last November she appeared in a clip where she jokingly explained “The Story of the $.”
“I used to be Kesha with an S, instead of a dollar sign, and then one year I had my birthday party at Shakey’s Pizza,” she said in the clip. “On the sign, the big sign where they write ‘Happy birthday,’ they replaced the S with a dollar sign. It ruined my life. I wanted to be a CPA, but you know who H&R Block doesn’t hire? People with dollar signs in their name. I pretty much had to be a pop star.”
What do you think of Ke$ha’s latest Funny or Die video? Tell us in the comments!
‘I’m mixing every type of genre that I love,’ singer says of follow-up to I Am … Sasha Fierce.
By Jocelyn Vena
Recently Beyoncé revealed that she wants to make her “own genre of music” for her next album. So when MTV News caught up with the singer at the New York screening of her concert special, “I Am … World Tour,” we asked her to clarify what exactly it is that she’s creating in the studio.
“Well, I wouldn’t say I’m inventing a new genre,” she said. “I’m mixing every type of genre that I love and I’m inspired by every type of genre.”
Beyoncé went on to say that people should throw any preconceived notions about the follow-up to 2008’s I Am … Sasha Fierce out the window. “I’m not in a box,” she said. “It’s not R&B. It’s not typically pop. It’s not rock. It’s just everything I love all mixed together in my own little gumbo of music.”
The singer says that quite a motley crew of musicians have inspired the album. “Definitely Fela Kuti, the Stylistics. How random, right?” she laughed. “So many people … Lauryn Hill, Stevie Wonder, of course, Michael Jackson’s Off the Wall … all of those things I’m kind of mixing together.”
For the album, Beyoncé has been hitting the studio with many of her usual collaborators including Ne-Yo, Sean Garrett and Jim Jonsin. And her mom, Tina Knowles, has given the tracks she’s heard so far her seal of approval, saying, “Of course [I heard it]. It’s amazing. It’s so amazing!”
Are you looking forward to new music from Beyoncé? Let us know in the comments!
Rihanna, Eminem, Usher, B.o.B, Alicia Keys among winners at event celebrating 40th anniversary of classic music show.
By Joel Hanek and Gil Kaufman
Only at the Soul Train Awards could you have a tribute to R&B icons such as Anita Baker and Ronald Isley alongside a segment in which rap legend Doug E. Fresh attempts to teach CNN anchor Wolf Blitzer how to do the Dougie.
It was that kind of night at the 2010 Soul Train Awards, as rookies, veterans and legends came together in Atlanta for the second annual event — which was taped November 10 and aired Sunday night on BET. The show, hosted once again by Terrence Howard and Taraji P. Henson, featured a night of performances from some of the biggest names in soul and R&B.
Host Howard told MTV News that the show is meant to be an extension of the long-running and legendary ’70s TV series that brought soul, disco, R&B and rap stars into viewers’ living rooms. “It reminds me of the advancement black people have made over the years because ‘Soul Train’ really was the beginning of that Black Power movement when we could actually see ourselves — and to have an awards show based upon that ‘Soul Train’ — it’s headed somewhere,” Howard said. “We have a black president now. The country seems to be more tolerant towards the diversity inside of it so it seems like the train is moving well down the tracks.”
The awards show marked the 40th anniversary of the classic music showcase hosted by Don Cornelius, and celebrated the careers of Baker and Isley, while handing out trophies to such contemporary stars as B.o.B (Song of the Year for “Nothing on You”), Melanie Fiona (Best New Artist), Eminem and Rihanna (Best Hip-Hop Song of the Year for “Love the Way You Lie”), Usher (Album of the Year for Raymond vs. Raymond) and Alicia Keys (Record of the Year for “Unthinkable [I’m Ready]” and Best Female R&B Soul Artist).
Though top winners such as Trey Songz, Usher, Ciara, Eminem and Rihanna were not in the house, Blitzer graciously agreed to accept Slim Shady’s award for him, joking, “Who better to accept this award on behalf of Eminem … I know he’s thrilled.”
Weaving through a series of skits involving magic tricks and jovial bickering by the hosts, the performance-heavy program delivered on talent. R. Kelly opened by teasing the crowd with his classic “Bump n’ Grind,” then diving into his new single “When a Woman Loves” — transforming the song from a slow jam into an all-out ’50s rock-and-roll epic. Ne-Yo kept the show moving with a showcase of his singles from this year, including “Champagne Life” and “One in a Million.”
The tribute to Baker featured an all-star cast, with artists like Chrisette Michele, Goapele, Lalah Hathaway, Dionne Farris, Kem, Tamia, Faith Evans and El DeBarge covering a medley of the singer’s greatest hits. Baker told the crowd that the biggest honor of the night for her was that real musicians were performing live with an actual band. “It’s amazing because you’ve got children behind you singing ‘Rapture’ — it’s lovely,” she said, adding, “Let’s do it again!”
Ronald Isley, co-founder and lead singer of the Isley Brothers, also received a special homage that featured Jeffrey Osborne, Freddy Jackson, DeBarge, Tank, Eric Benet, Bilal and Peabo Bryson. Isley also came out to perform his own medley of hits and was joined onstage by Chanté Moore and R. Kelly for a rendition of “Contagious,” their 2002 single that featured the Isleys. In addition, Cee Lo Green closed the show with a duet on the Isleys’ classic 1959 hit, “Shout.”
Among the event’s other highlights was Cee Lo’s performance of his smash “Forget You,” which took place on a golden stage that resembled a cross between Kanye’s Egyptian fusion and an OK Go video, and found the singer gliding down conveyor belts while belting his number.
Erykah Badu delivered a stripped-down version of her 2010 breakout “Window Seat” that featured the singer perched on the floor over a web of lights while appearing to orchestrate the vibrations of light flickers with her hands.
Soul singer Eric Benet performed “Sometimes a Cry” — a song that Lil Wayne cited as one of his favorites while in prison — bringing down the house with a soaring falsetto that bested his studio rendition of the track.
The evening’s other performers included Bruno Mars, who sang his new hit “Grenade,” and Jazmine Sullivan, who did a medley of “10 Seconds” and “Holding You Down (Goin’ in Circles).”
Did you watch the 2010 Soul Train Awards? Tell us about your favorite highlights in the comments.
‘It was probably one of the most physical numbers that we’ve ever done,’ Cory Monteith says.
By James Dinh
When “Glee” returns from hiatus in the high-profile post-Super Bowl slot, it’s returning in a big way, covering Michael Jackson‘s “Thriller.” On Tuesday, the cast spoke to “Access Hollywood” about remaking the iconic tune, which will reportedly be mashed up with another yet-to-be-revealed hit.
“It was a huge production. We we’re shooting that until 6:30 in the morning,” Cory Monteith told “AH” at the Television Critics Association press tour. “We shot all night, and it was probably one of the most physical numbers that we’ve ever done. I was lifting Naya Rivera at one point in the dance. It was really active. We had the whole USC band wrapped in to this number as you can see in the photos. It was awesome.”
Photos of the cast filming “Thriller” surfaced on the Internet recently, depicting a prom night-turned-zombie affair. Jackson’s tune is just one of the many hits to be covered in the broadcast. Other songs featured in the post-Super Bowl episode include hits by the Black Eyed Peas, Katy Perry and Lady Antebellum.
Kevin McHale revealed that Jackson is his “favorite artist ever” and that he has been continuously requesting to cover a tune by the late King of Pop. “I’ve been pushing very obnoxiously for a very, very long time, so I’m beyond thrilled that we do Michael Jackson,” said the actor.
Like the iconic music video, the “Glee” cover was an extravagant production, which was fitting for star Dianna Agron, who couldn’t help smile throughout filming.
“The whole night, everybody kept saying, ‘Why are you laughing so much? Why are you smiling so much?’ ” she said. “I was just in my element. I was in huge makeup, huge hair, huge costume, the stuff that I loved the most, which is why I loved ‘Rocky [Horror Picture Show]’ so much.”
Matthew Morrison isn’t in the number, but he watched it being shot. “We actually shot it, like, a couple nights ago,” Morrison told “AH.” “I actually went out to see it. We shot it in Long Beach and at a high school that we used their football field at. It was stunning. It’s so weird with this show. We keep outdoing ourselves. It’s like, ‘What is there left to do?’ This number is just fantastic.”
What other MJ songs do you want the “Glee” cast to tackle? Share your ideas in the comments!